Point and Shoot (and Then Consider Your Aim)
Matt VanDyke thinks he’s telling his story, but his story ends up being about how telling your story is essentially dishonest.
Matt VanDyke thinks he’s telling his story, but his story ends up being about how telling your story is essentially dishonest.
I do not particularly wish to review this film, which I have just seen, while growing increasingly intoxicated. On purpose.
There’s what a film appears to be and what a film is, and seldom the twain shall meet, alone, at night, in Iran, with a vampire.
If Disney had let Big Hero 6 go in the direction its characters demanded, it might have been pretty brilliant.
‘Out of his head’ is a good phrase for Vive la Muerte.
It starts with vintage footage of a fox hunt, complete with horses and bugles and excited children. These home movies presumably come from the halcyon days of the Philadelphia area DuPont […]
Nazi zombies! Run!!!
This film may prematurely age you, through the power of special cinematic relativity.
Force Majeure is Gone Girl for grownups. It is probably the film you will most regret not seeing this year.
The bird is the word. I said the bird bird bird, the bird is the word.
Paltrow’s script hovers over characters and situations like a teacher’s red pen. “Needs improvement. See me after class.”
If John Wick is trying to teach his enemies a lesson, here is what it is: your face is not a secure receptacle for bullets.
And I quote: “Alex Ross Perry has injected a particular strain of vitality into the New York independent film scene, having made two idiosyncratic features that beat to a relentlessly personal rhythm that is almost shocking in its distinctness.”
When Laura Poitras, after receiving encrypted emails from Snowden, came to meet him in Hong Kong with her camera, she did us all an immense favor.