The Supreme Being’s Top 10 Films of 2013
In which the Supreme Being and the other Supreme Being discuss the finest cinema had to offer in 2013.
In which the Supreme Being and the other Supreme Being discuss the finest cinema had to offer in 2013.
Who would you be if you could be someone else?
Inside Llewyn Davis, in which Joel and Ethan Coen go dark and plotless for their look at a struggling New York folk singer in ’61, is their best movie since Barton Fink.
Heathen that I am, I’d never seen any of Robert Bresson’s movies until, oh, just now, or thereabouts, when I watched A Man Escaped, his fourth feature, from ‘56. Bresson […]
And I mean that in the worst way possible.
“What’s past is prologue,” wrote that clever chap Shakespeare. “Study the past, if you would divine the future,” wrote that thoughtful fellow Confucius.
Wherein various items arise for discussion, not least of which are the three indie movies named above.
Three movies full of sound and fury, signifying nothing.
What movies of interest are coming your way this month, you lovely Bay Area folks? Come on inside and we’ll fill you in.
In which we go back 40 years to the ‘70s to remember the ‘60s, then ahead 20 years to the ‘90s to remember the ‘70s.
Let’s have a nice, friendly chat about Godard and his most beloved movie, Contempt.
Walker, Alex Cox’s 1987 sort-of-but-not-really biopic about William Walker, an American who in the 1850s became President of Nicaragua, is a very weird movie.
Martin Scorsese calls Robert Wise’s ’63 haunted house movie, The Haunting, the scariest movie of all time. Though it didn’t make too big a splash when it came out, it’s […]
“That ain’t Lake Minnetonka.”