The Fast and the Furious in Four-Letter Words
I had fully intended to write an entire review of The Fast and the Furious using nothing but four-letter words. That proved challenging since even the word ‘words’ contains more than four […]
I had fully intended to write an entire review of The Fast and the Furious using nothing but four-letter words. That proved challenging since even the word ‘words’ contains more than four […]
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Megamovies sound supercilious, but you can read the definition of this new term here — a world first exclusive!
Nowadays it’s common knowledge that the monsters living on Mars are far from humanoid in shape. We know they live inside the planet, hiding from the eyes behind our telescopes, […]
Finally, the eternal question is answered: why tapeworms, Noah? You leave the dinosaurs and take the tapeworms? We demand an explanation!
No one’s perfect.
Guess what happens.
It feels like only yesterday that Silver Streak opened. Or so. The first pairing of Gene Wilder and Richard Pryor, to be followed by beloved classics like Stir Crazy, See No Evil, Hear No Evil, and the unforgettable Another You. Which I completely forgot about. I even forgot to see it.
“I say, if I need to cut (off) my arms in order to make that picture, I will cut (off) my arms. I was even ready to die doing that.”
That is the magic of Wes Anderson’s film. He makes you nostalgic for something that never was.
In the late ‘50s, a Belgian invented smurfs. Things have only gotten stranger over there ever since.
The Grand Budapest Hotel is not set in Hungary. It’s set in the imaginary European Republic of Zubrowka. More exactly, it’s set in the little dollhouse of Wes Anderson’s head.
In which the thrill of finding a new subatomic particle is made manifest. It’s Pi day, folks. Let’s talk about physics. And then maybe eat some pie.
Hayao Miyazaki’s final film (so he says), The Wind Rises, is a fitting close to his career. It feels ephemeral. It blows by soft as a summer breeze. It’s the […]