Decasia: An Abstract Trip
Decasia (’02) is a trip. Far be it from me to promote or even suggest the smoking of a certain plant, but if that’s the sort of thing you enjoy, […]
Decasia (’02) is a trip. Far be it from me to promote or even suggest the smoking of a certain plant, but if that’s the sort of thing you enjoy, […]
If you have children—or know some children—and you don’t want them to grow up to be sniveling little toady rats, here’s my advice: set their heads in front of Time Bandits and watch their brains explode with potential.
Wind blows dust and leaves through a small Texas town. Everything is fading, everything is dying. Cracked, dirty windows obscure the view. The pool hall is empty, its screen door […]
I went to see Zero Dark Thirty on Friday with the Supreme Being. Since then, he’s written an excellently insightful review of what director Kathryn Bigelow did with the film. I’ve […]
Zero Dark Thirty is being praised to the high heavens for its “journalistic” and “realistic” take on the hunt for and killing of Osama Bin Laden, terms film critics use […]
Seems like these days you can’t throw a rock at the internet without knocking Quentin Tarantino’s dick out of someone’s mouth. The arguments raging on movie nerd sites range all […]
What can be intelligently said about Django Unchained? If we leave aside all of the fanboy love and the howls of the haters, what sense remains? Is this what you […]
William Friedkin has always been drawn to intense violence. One presumes this isn’t limited to his movies. He was a notorious asshole among assholes in the ‘70s, a decade marked […]
If there’s one thing that scanning the list of all films released in 2012 teaches us, it’s that—as many movies as I’ve watched this year—I’ve barely scratched the surface. (Which […]
As with all things Quentin Tarantino, his new movie Django Unchained is inspired in some vague way by another movie, in this case the classic Italian spaghetti western Django […]
After film school, Martin Scorsese spent four years making his first feature, Who’s That Knocking At My Door? (’67), starring the then unknown Harvey Keitel. It didn’t make a splash. […]
The Hobbit, as presented at 48fps* (i.e. high frame rate, HFR), marks the death of cinema. At least digital projection, depressing as it is, is being improved to the point […]
Let’s accentuate the positive, shall we? That moment—the one in the trailer for The Hobbit—where all the dwarves start singing their sorrowful song? That’s pretty good. There’s a funny bit […]
To dream of the devil and wake in a fright.
-Old English curse