Logan Lucky: Soderbergh’s Best Coen Brothers’ Comedy
Logan Lucky frames itself as a paean to the people of the Mid-Atlantic and their underrated pluck. ‘Take me home, country roads,’ it croons, but I was not tempted.
Logan Lucky frames itself as a paean to the people of the Mid-Atlantic and their underrated pluck. ‘Take me home, country roads,’ it croons, but I was not tempted.
Prepare to be lightly amused.
I think you should watch it on TV, late one drunken Saturday, and tell me what you think.
If you have been dying to see Sean Bean act in a film in which he does not die and in which he plays a bee soldier, Jupiter Ascending might remove that last final chunk of your will to live.
It’s all gunplay, explodey bits, and kisses from here on out. Whatever planet they’re on seems pretty disposable. And flammable.
It starts with vintage footage of a fox hunt, complete with horses and bugles and excited children. These home movies presumably come from the halcyon days of the Philadelphia area DuPont […]
Perhaps it’s just good for a comedy sequel, which is an awfully low bar to leap.