A Most Wanted Man: In Which Philip Seymour Hoffman Comes To An End
A tightly wound, slow-burning spy flick, in which Philip Seymour Hoffman gives the kind of performance you wish like hell he was around to keep on giving.
Tag Archives: Philip Seymour Hoffman
On Nebraska, Only God Forgives, And Catching Fire: Movies As Empty Types
Three movies full of sound and fury, signifying nothing.