Filmworker: On Leon Vitali, The Man Behind Kubrick
You like Kubrick? Leon Vitali likes him more.
You like Kubrick? Leon Vitali likes him more.
It is here. It is big. It is beautiful.
In this, its 15th iteration, Noir City shifts from showing obscure and long-lost noirs in order to focus on all sorts of heist films — many of them more modern but no less obscure.
Stanley Kubrick’s last film, Eyes Wide Shut, is fucked up.
In which the movie Kubrick disowned is considered in all its Hollywood CinemaScope epic glory.
In which a documentary narrated by a number of loons describing their pet theories on what Stanley Kubrick’s The Shining is really about is given some thought.
In which a pair of crazy writers write themselves into early graves.